‡
Folgendes hat anthroposofische Einschlüße:
Raised bogs
are waterlogged mounds of partially decomposed plant materials, which have
accumulated naturally over time. R.S.: mounds are especially effective at
absorbing positive cosmic forces and rejecting disruptive forces. Raised bogs
are areas where predominately sphagnum moss (sphagnum cymbifolium)
and cotton sedge grass (eriophorum vaginatum) grow on the watery decomposing vegetation
underneath. Over many decades of decay and regeneration of moss and grass, a
spongy decomposing mass develops. As the raised bog increases in thickness and
moisture content, peat develops underneath. Raised bogs are generally found in
the cool far Northern latitudes where there is acidic matter, a slow oxidation
occurs and partially decayed plant materials build up. Peat is plant material
at the start of a process of carbonization leading to black peat and coal. For
coal to form, the sunlight
and warmth
from plant life has been transformed, whilst for peat this process is arrested
and there is a blocking and holding of warmth and cosmic forces. Plant life
becomes suffocated and is unable to decay fully.
Health and
Peat: R.S. gave indications that clothing and substances from peat could offer
protection and healing to humanity in the future, especially in relation to
environmental stress including electromagnetic radiation.
Dr. Rudolf Hauschka studied the elemental beings or nature spirits
involved in the plant kingdom. Normally when plants die in autumn, the
digestive processes of the earth cause the plant life to form humus for future
regeneration
and the elemental beings are released into the surrounding cosmos. In a peat
bog, the elementals remain connected and trapped with the partially decomposed
plant substances for decades and even centuries. Each year's new growth
partially dies and falls mummified on top of the previous layer. Years of
accumulated plant matter results in the forming of peat.
The proper
activity of the elementals is to care for the natural world until humans
develop to the stage that they can creatively and responsibly carry this task.
In the moors, the elementals are bound to the peat such that over time they
become hostile and angry towards a positive evolution of the cosmos. A sense of
this angry, somber nature is in the atmosphere of all moors due to these
aberrant elemental beings. R.S. considered releasing these elementals as a task
for humans today. Through the right biological care peat can be enlivened, the
fiber spun for clothing and the fluids used medicinally, enabling people to be
strengthened physically and protected from the destructive environmental
changes in the future. What a release comes when these beings are liberated in
the manufacture of peat products to protect and care for people.
Solum uliginosum
= moor extract (wa)
Where the birches and pines start to thin out and the
sandy soil gives way to heavy, dark earth is where the moor begins. With a
quick stride, Friedrich Lütjen leads the way and
explains how the highmoor which we see in
front of us came into being: "For hundreds of
years, our region was characterised by high humidity - it rained a lot. The
water accumulated especially in the upper layer of the soil. The constant
excess of water led to a lack of oxygen in the ground, which conserved the
plant remains and made them accumulate as peat. Layer by layer, the peat grew
higher and moved farther and farther away from the groundwater. This is why it
is referred to as a highmoor or highland bog." Subsequently,
the moor was fed by rainwater only and became overgrown with moss, which stored
the water in its leaves. When the moss died, it formed another layer of peat. "This
is how the
moor grew and grew," concludes Friedrich Lütjen.
Light and dark, movement and rest
When Johann Kurz opens the
container, the earthy fragrance of peat fills the air. He carefully transfers
the peat to an enamelled earthenware pot and adds sterile, ultra-pure water. Using
a large spoon, he stirs the mixture briskly until the water opens up into a
swirling spiral. It is already clear what Johann Kurz
means when he says:
"WALA relies on an extraordinary process to obtain
its moor extract." He is referring to the rhythmic light process during
which the large pot with the mixture is kept in the dark and only exposed to
daylight at sunrise and sundown, when it is stirred. The polarities of light
and darkness, movement and rest alternate with one another.
After seven days, the peat blocks have completely
dissolved - the liquid now looks like dark milk. Johann Kurz
carefully presses off the liquid, transfers the remaining moor extract to a vat
and stirs it again thoroughly.
He then adds two essences: extracts of horse chestnut: and field horsetail:, both plants that have a dynamic
relationship with water, either absorbing it (horse chestnut) or transporting
it and giving it off externally
(field horsetail). These characteristics differentiate
the two plants significantly from peat, which binds water and does not allow it
to flow. Shortly after Johann Kurz begins stirring
the mixture, a new, aromatic fragrance
becomes evident; the moor extract takes on a brighter
colour and appears lighter. One can sense that the rigidness of the moor is
dissolving and that the two plant extracts are bringing about a new
development. After a few
weeks of rest, a fermentation has taken place in the
extract, transforming the mixture yet again. Now the mixture has reached its
final stage: WALA moor extract, referred to by experts as Solum
uliginosum
(Solum = Latin for soil, uliginosum = Latin for moor). But what complaints is moor
extract used to treat in WALA Medicines?
What holds our bodies together inside
Let us first examine the elementary yet highly complex
substance that holds our living bodies together: connective tissue. This collagenous tissue connects organs, nerves, tendons, blood
vessels and muscles throughout the body, envelops and protects every organ and
defines us physically with respect to the external environment. It is also able
to bind liquid; it is not least due to connective tissue that adults consists
of some 60 - 70% water depending on age, newborns up to 80%. If the fluid
content of the connective tissue becomes imbalanced due to deposited substances
which cannot be eliminated, excessive physiological acidity and toxic build-up
in the tissue may occur. Individuals with this condition experience a certain
feeling of rigidness and heaviness. The body can no longer defend itself as
well against external influences, which leads to increased sensitivity to
emotions, pain and the weather.
A healthy barrier to the outside, lightness and warmth
are the keywords that best describe the effects of WALA Solum
products. As the name indicates, they all contain the Solum
uliginosum extract. But how can we explain the effect
of the moor extract on imbalanced connective tissue? If we consider in more
detail the processes that take place in moor, we can observe parallels to the
disturbance in the fluid balance of human connective tissue. The moor does not
transform dead plant material into compost, rather it conserves and stores it. Liquid
stagnates in moor and there is a lack of oxygen and warmth. In using WALA Solum Öl (Solum
Oil), it can be seen that the moor extract activates exactly the opposite
processes in the human body. Fluid in the connective tissue is able to flow
once again, also with the help of the two extracts of horse chestnut and field
horsetail, which are effective in treating fluid imbalances. The tissue is
unblocked and gently warmed at the same time; the oil forms an invisible
protective layer around the body and serves as a barrier against external
influences. The feeling of heaviness disappears, replaced by a sensation of
lightness. A healthy balance is restored. In this way, Solum
Öl also soothes rheumatic complaints, muscle tension
and back pain. WALA Solum Globuli
are effective against weather sensitivity, neuralgia and spinal complaints.
Plants
exuding a white latex
and grow near water both signify lunar and
digestive affinities.
Andromea pillifolia = Rosmarinheide Ericales
Azalea o. Rhododendron viscosa = maibusch/= swamp azalea Ericales
Dros = sonnentau/= Rossolis/=
Sundew
Caltha palustris = Sumpfdotterblume/= Scharbockskraut
Brassicales
Calla pallustris
= Drachenwurz/= Slangenwortel Alismatales
Eucal. = Chin-ähnlich/gebraucht um Sümpfe zu entwässern
Gentiana pneumonanthe = Lungenenzian Gentianales
Hot-a = Sumpfwasserfeder/=Waterviolett
B.B.
Moor: Schwarzbraune, organische Substanz aus Pflanzenteile
Moorwasser (SAUER/ARM an Mineralien)/= Kessel der Göttin
Narthecium ossifragum = Moorlilie/= Beinbrech Dioscoreales
Pinguicula vulgaris = Gemeines Fettkraut
Porc-m = Meißner Porzellan/hergestellt mit Gärungs-/Sumpfungsprozess
Rotidula dentata = Wanzepflanze
Vaccinium macrocarp
= Moorbeere/= Cranberry/= Preiselbeere Ericales
Vaccinium oxycoccus = Moosbeere Ericales:
Vacc-uligonosum: = Rauschbeere/= Bog Bilberry
Vivianit: entsteht unter Sauerstoffmangel im
Moor/Süßwassersee
Destilliertes
Wasser (H2O) ó Moorwasser ó Essig (Säure)
Allerlei:
Mond unterstellt
ZEIT
ONLINE
wissen
Stimmt's Gefährliches Moor
Menschen,
die bei Nacht im Moor vom Weg abkommen und dann langsam immer tiefer sinken,
bis nur noch die Hand herausschaut, sind ein beliebtes Element von
Horror-/Gruselgeschichten.
Und
gibt es nicht in deutschen Museen über 600 gut konservierte Moorleichen, die
von dieser Gefahr ein beredtes Zeugnis ablegen?
Aber
dass ein Mensch »einfach so« im Moor versinkt, verhindert schon die Physik. Ein
Moor ist eine Art Zwitter zwischen Land und Wasser. Es fällt dort mehr Wasser
vom Himmel, als
wieder
verdunsten kann. Die Folge ist ein Luftabschluss, unter dem Pflanzen, Tiere und
auch Menschen anders verrotten als in gewöhnlicher Erde.
Tückisch
ist das Moor, weil es Gebiete mit relativ festem und fast trockenem Untergrund
gibt, die dann plötzlich und kaum erkennbar von Flächen mit sehr dünnflüssigem,
schlammigem
Untergrund
abgelöst werden. Aber dieser Schlamm hat ein spezifisches Gewicht, das über dem
von Wasser liegt. Und das bedeutet: Ein eingetauchter menschlicher Körper,
dessen Dichte etwa
der
von Wasser entspricht, geht nicht unter – sondern er erfährt schon dann einen
Auftrieb, wenn er nur teilweise eingetaucht ist. So kann man im Moor zwar ein
sinken (was sehr unangenehm
sein
kann, zum Beispiel wegen der Stechmücken), aber nicht versinken.
Doch
was ist mit den Moorleichen? Historiker gehen davon aus, dass es sich vor allem
bei den Funden aus dem ersten Jahrtausend unserer Zeitrechnung um Opfer für
diverse Götter handelt.
Später
sind häufig Tote, die an einer anderen Ursache gestorben waren, im Moor
bestattet worden. Der Tod durch Versinken hingegen ist eine reine
Horrorfantasie.
Vorwort/Suchen Zeichen/Abkürzungen Impressum